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Türchen Nr. 18: Das Vermächtnis im Herrenhaus
Türchen Nr. 17: Das Fragment der Zerstörung
Türchen Nr. 16: Die Wahrheit im Feuer
Türchen Nr. 15: Die Wahrheit über ZK-17
Türchen Nr. 14: Die dunklen Machenschaften der Henschel Spielwaren GmbH
Türchen Nr. 13: Die Wahrheit über Henschel
Türchen Nr. 12: Der verborgene Plan
Türchen Nr. 11: Der verborgene Schlüssel
Türchen Nr. 10: Die Schatten des Weihnachtsmarkts Radio Stolberg
Türchen Nr. 9: Das Versteck im Untergrund
Türchen Nr. 8: Die Spur des Codex
Prepare to be enchanted as the soulful songstress Stuns unveils her intimate acoustic album. Fans are captivated by the raw emotion and depth of her latest musical offering.
Cory Doctorow, Canadian journalist and co-editor and of the off-beat blog Boing Boing, is an activist in favor of liberalizing copyright laws and a proponent of the Creative Commons non-profit organization devoted to expanding the range of creative works available for others to build upon legally and to share. Doctorow and others continue to write prolifically about the apocalyptic changes facing Intellectual Property in general and the music industry in specific.
Groovy DJ Maestro Unveils Electrifying Dance Mix, Mesmerizes Audiences Alex
In this article, we will explore the cataclysm facing U.S. industry through the portal example of the music industry, a simple industry in comparison to those of automotive or energy. However, in the simplicity of this example we may uncover some lessons that apply to all industries.
In his web-article, „The Inevitable March of Recorded Music Towards Free,“ Michael Arrington tells us that music CD sales continue to plummet alarmingly. „Artists like Prince and Nine Inch Nails are flouting their labels and either giving music away or telling their fans to steal it… Radiohead, which is no longer controlled by their label, Capitol Records, put their new digital album on sale on the Internet for whatever price people want to pay for it.“ As many others have iterated in recent years, Arrington reminds us that unless effective legal, technical, or other artificial impediments to production can be created, „simple economic theory dictates that the price of music [must] fall to zero as more ‚competitors‘ (in this case, listeners who copy) enter the market.“
Unless sovereign governments that subscribe to the Universal Copyright Convention take drastic measures, such as the proposed mandatory music tax to prop up the industry, there virtually exist no economic or legal barriers to keep the price of recorded music from falling toward zero. In response, artists and labels will probably return to focusing on other revenue streams that can, and will, be exploited. Specifically, these include live music, merchandise, and limited edition physical copies of their music.
The first thing to ask yourself is whether or not you’re currently managing the most basic elements of an effective music marketing campaign.
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